Elizabeth Harcourt

Circular webs of stitching weave across earthy colour, creating a richly textured abstract composition.

In Untitled 1, Elizabeth Harcourt combines acrylic on paper with stitch. Olive green, ochre, slate blue and deep plum form a layered background beneath pale golden threads that radiate around overlapping circles.

The intricate stitching brings a tactile rhythm to the painted surface, connecting Elizabeth’s textile background with her painting practice. Open centres reveal glimpses of colour, while the repeated thread patterns draw the eye across the work.

This small artwork would add warmth and detail to a reading nook, study or gallery wall, pairing beautifully with natural timber and earthy interiors.

Earthy · Tactile · Intricate
Acrylic on paper and stitch
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Elizabeth Harcourt

A vivid orange circle glows against layered blues, with yellow stitching adding rhythm along the lower edge.

In Untitled 2, Elizabeth Harcourt combines acrylic painting and stitch on paper. Deep blue, slate and lilac passages surround an orange-red circle, creating a strong contrast between warm and cool colour.

A rust-coloured band anchors the composition above alternating yellow and blue details. Stitching outlines the circle and adds texture below, bringing Elizabeth’s textile background into this compact abstract work.

This small work would bring a bright accent to a study, reading nook or gallery wall, pairing naturally with timber and neutral surroundings.

Bold · Tactile · Rhythmic
Acrylic on paper and stitch

Some room images show Untitled 2 alongside another work by Elizabeth Harcourt. Each artwork is sold individually.
UNFRAMED room images show framing possibilities only.

Elizabeth Harcourt

Delicate floral stitching and trailing threads stand out against a richly layered green background.

In Untitled 3, Elizabeth Harcourt combines acrylic painting and stitch on paper. A soft mauve circle holds a cream, petal-like pattern, surrounded by moss green, emerald and deep teal passages.

Small stitched details descend beneath the circle, ending in a loose sweep of pale threads. The contrast between precise needlework and freely painted layers reflects Elizabeth’s textile background, giving the work a delicate, tactile presence.

This small work would bring gentle colour and intricate detail to a bedroom, reading nook or gallery wall, complementing natural timber and soft neutral surroundings.

Delicate · Tactile · Layered
Acrylic on paper and stitch
UNFRAMED room images show framing possibilities only.
Some room images show Untitled 3 alongside another work by Elizabeth Harcourt. Each artwork is sold individually.

Elizabeth Harcourt

Blue, lilac and green shapes meet delicate clusters of stitching in this small abstract work.

In Untitled 4, Elizabeth Harcourt combines acrylic painting and stitch on paper. A lilac rectangle and bright green band overlap against a layered blue background, while a dark, rust-toned cup-like shape rises from the lower edge.

Pale stitches outline the geometric forms, with small blue and cream knots cascading from a circular opening above. These tactile details reflect Elizabeth’s textile background, bringing rhythm and dimension to the painted surface.

This small work would add colour and interest to a study, reading nook or gallery wall, inviting a closer look at its layered shapes and intricate threadwork.

Tactile · Geometric · Colourful
Acrylic on paper and stitch
UNFRAMED room images show framing possibilities only.
Some room images show Untitled 4 alongside another work by Elizabeth Harcourt. Each artwork is sold individually.

Elizabeth Harcourt

A plum-coloured circle rests above layered greens, with pale stitches creating a delicate web of intersecting lines.

In Untitled 5, Elizabeth Harcourt combines acrylic painting and stitch on paper. Soft pink surrounds a large burgundy-purple circle, while olive green, charcoal and earthy brown form an angular landscape below.

Cream stitching traces the circular shapes and crosses the darker passages in long, irregular lines. Small purple knots add further texture, bringing Elizabeth’s textile background into the painted composition.

This small work would bring thoughtful colour and detail to a reading nook, bedroom or gallery wall, pairing naturally with timber, soft pinks and muted greens.

Layered · Tactile · Contemplative
Acrylic on paper and stitch
UNFRAMED room images show other possible framing possibilities only.
Some room images show Untitled 5 alongside other works by Elizabeth Harcourt. Each artwork is sold individually.

Elizabeth Harcourt

Rich red and orange surround dark circular forms, with pale stitches adding delicate texture and movement.

In Untitled 6, Elizabeth Harcourt combines acrylic painting and stitch on paper. A large charcoal-grey circle occupies the upper half, edged with cream stitching and clustered knots that trail down into the warm background.

Smaller dark shapes gather below, contrasting with passages of ochre, orange and red. Painted layers and textured thread bring together Elizabeth’s interests in colour, rhythm and textile processes.

This small work would bring warmth and detail to a study, reading nook or gallery wall, inviting a closer look at its intricate stitching.

Warm · Tactile · Expressive
Acrylic on paper and stitch
UNFRAMED room images show framing possibilities only.
Some room images show Untitled 6 alongside other works by Elizabeth Harcourt. Each artwork is sold individually.

Elizabeth Harcourt

A deep blue circle floats above sweeping turquoise layers, with fine stitches tracing movement across the surface.

In Untitled 7, Elizabeth Harcourt combines acrylic painting and stitch on paper. Rust-orange and moss-green tones meet flowing passages of teal and blue, suggesting an abstract landscape beneath a richly coloured sky.

Pale and blue stitches ripple across the lower half, while warm orange thread outlines the circle above. The stitching adds a tactile rhythm to the painted layers, reflecting Elizabeth’s background in textiles.

This small work would bring colour and quiet detail to a bedroom, reading nook or gallery wall, inviting a closer look at the interplay of paint and thread.

Tactile · Atmospheric · Rhythmic
Acrylic on paper and stitch
UNFRAMED room images show framing possibilities only.
Some room images show Untitled 7 alongside another work by Elizabeth Harcourt. Each artwork is sold individually.

Elizabeth Harcourt

Layered greens, woven shapes and rhythmic stitches bring a tactile energy to this small abstract work.

In Untitled 8, Elizabeth Harcourt combines acrylic painting and stitch on paper. Green and turquoise passages overlap with burgundy, yellow and soft pink, while intersecting strips create a woven pattern across the upper half.

Rows of red and pale yellow stitches travel through the composition, adding texture and rhythm. Drawing on Elizabeth’s background in textiles, the work brings painted marks and thread into a layered conversation.

This small work would add colour and detail to a reading nook, study or gallery wall, rewarding a closer look at its surfaces and stitching.

Tactile · Layered · Rhythmic
Acrylic on paper and stitch
UNFRAMED room images show framing possibilities only.
Some room images show Untitled 8 alongside another work by Elizabeth Harcourt. Each artwork is sold individually.

Elizabeth Harcourt

An abstract gathering of forms that invites a closer look at the spaces between them.

In City Library, shapes outlined in dark, expressive lines sit closely together across the board. Deep blue, warm ochre, cream and soft green move through the composition, while the lighter background gives each form room to stand apart. Some suggest objects or figures; others remain open to the viewer’s imagination.

Elizabeth Harcourt’s practice is grounded in layering and reworking. Her background in textiles informs her attention to surface, and here the visible marks and changes in colour give the painting a tactile quality. The title offers a sense of place without prescribing a single story, leaving small relationships between the forms to be discovered over time.

At 40 × 61 cm, City Library would suit a living room, study, hallway or reading space, where its details can be enjoyed up close.

Curious. Layered. Thoughtful.

Acrylic on board 40 × 61 cm 2022

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