Katherine Simpson
Four forms gather in a painting that moves between figures and abstraction.
In The Four, shapes in vivid and pale blues emerge around a broad passage of textured white. Some suggest heads, beaks or bodies, yet each remains open to interpretation. Small touches of green and deep violet draw the eye through the group and reveal new details on a second look.
Katherine Simpson is interested in what happens when a painting feels almost familiar but never settles into one fixed story. Here, the four forms seem to share a space, inviting the viewer to imagine their relationship. The visible brushwork gives the quieter white areas as much presence as the colour.
At 40 × 30 cm, this framed work would suit a smaller wall, reading nook, hallway or a collection of paintings where it can be enjoyed up close.
Curious. Textural. Open to interpretation.
Oil on board 40 × 30 cm 2026 Framed in a slimline natural timber tray frame.
FRAMED
Katherine Simpson
Four forms gather in a painting that moves between figures and abstraction.
In The Four, shapes in vivid and pale blues emerge around a broad passage of textured white. Some suggest heads, beaks or bodies, yet each remains open to interpretation. Small touches of green and deep violet draw the eye through the group and reveal new details on a second look.
Katherine Simpson is interested in what happens when a painting feels almost familiar but never settles into one fixed story. Here, the four forms seem to share a space, inviting the viewer to imagine their relationship. The visible brushwork gives the quieter white areas as much presence as the colour.
At 40 × 30 cm, this framed work would suit a smaller wall, reading nook, hallway or a collection of paintings where it can be enjoyed up close.
Curious. Textural. Open to interpretation.
Oil on board 40 × 30 cm 2026 Framed in a slimline natural timber tray frame.
FRAMED
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