A richly layered abstract work exploring connection, movement and the threads that bind us together.
Something Greater by New Zealand mixed-media artist Edie Chappell is an expressive composition alive with colour, texture and intricate mark-making. Deep ocean blues and turquoise flow through warm passages of orange, ochre and green, creating a vibrant sense of movement across the surface.
Fine, wandering lines travel through the painting like paths, waterways or connecting threads. Repeated circles, dots and layered impressions invite closer looking, revealing new details and relationships within the work.
The piece speaks of the journeys we take and the connections we gather along the way. It reminds us that we move through the world not in isolation, but as part of something larger—a shared and continually evolving tapestry.
Layered. Connected. Expressive.
Ink, acrylic paint and pen 100 × 75 cm ready yo hang
UNFRAMED room-setting image is an example of scale and styling only. This artwork is sold unframed.
A richly layered abstract work exploring connection, movement and the threads that bind us together.
Something Greater by New Zealand mixed-media artist Edie Chappell is an expressive composition alive with colour, texture and intricate mark-making. Deep ocean blues and turquoise flow through warm passages of orange, ochre and green, creating a vibrant sense of movement across the surface.
Fine, wandering lines travel through the painting like paths, waterways or connecting threads. Repeated circles, dots and layered impressions invite closer looking, revealing new details and relationships within the work.
The piece speaks of the journeys we take and the connections we gather along the way. It reminds us that we move through the world not in isolation, but as part of something larger—a shared and continually evolving tapestry.
Layered. Connected. Expressive.
Ink, acrylic paint and pen 100 × 75 cm ready yo hang
UNFRAMED room-setting image is an example of scale and styling only. This artwork is sold unframed.
