Katherine Simpson
An abstract painting that holds the viewer in the space between what is familiar and what is still taking shape.
Broad fields of blue, green and pale grey meet in Liminal, interrupted by narrow lines and softer, irregular forms. Some edges feel carefully placed; others seem to have emerged as Katherine Simpson worked across the surface. Traces of earlier marks remain visible beneath the colour.
Katherine is interested in the point where abstraction begins to suggest something recognisable without settling into a single image. The title suits that sense of being between states. There is room to see a landscape, a passage of light or simply the balance of colour and space.
At 85 × 59 cm, Liminal would bring a calm but considered presence to a living room, bedroom, hallway or office. Its quieter areas invite time and distance, while the changes in texture reward a closer look.
Quiet. Layered. Open-ended.
Oil on board 85 × 59 cm 2026 Framed in a slimline natural timber tray frame.
FRAMED
Katherine Simpson
An abstract painting that holds the viewer in the space between what is familiar and what is still taking shape.
Broad fields of blue, green and pale grey meet in Liminal, interrupted by narrow lines and softer, irregular forms. Some edges feel carefully placed; others seem to have emerged as Katherine Simpson worked across the surface. Traces of earlier marks remain visible beneath the colour.
Katherine is interested in the point where abstraction begins to suggest something recognisable without settling into a single image. The title suits that sense of being between states. There is room to see a landscape, a passage of light or simply the balance of colour and space.
At 85 × 59 cm, Liminal would bring a calm but considered presence to a living room, bedroom, hallway or office. Its quieter areas invite time and distance, while the changes in texture reward a closer look.
Quiet. Layered. Open-ended.
Oil on board 85 × 59 cm 2026 Framed in a slimline natural timber tray frame.
FRAMED
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