Lisa Watkins
This dynamic assemblage of gold and silver examines the fragmented nature of emotion. Bold, reflective and constantly shifting, Distorted Love transforms discarded commercial signage into something unexpectedly personal.
Fragments of salvaged signage overlap and collide across the surface, while a single red heart emerges from within the fractured composition. Gold, silver and mirrored surfaces catch the surrounding light, allowing the work to shift and change as you move around it.
Part of Lisa Watkins’ Sign of the Times series, Distorted Love explores connection, resilience and what remains when everything around us changes. Materials once created for a commercial purpose are cut apart, displaced and reassembled, taking on an entirely new meaning.
Striking from a distance and intricate up close, Distorted Love is a sculptural wall work that continues to reveal something new with every look.
Reclaimed commercial signage offcuts, salvaged acrylic and resin 2026
123 × 82 cm
Lisa Watkins
This dynamic assemblage of gold and silver examines the fragmented nature of emotion. Bold, reflective and constantly shifting, Distorted Love transforms discarded commercial signage into something unexpectedly personal.
Fragments of salvaged signage overlap and collide across the surface, while a single red heart emerges from within the fractured composition. Gold, silver and mirrored surfaces catch the surrounding light, allowing the work to shift and change as you move around it.
Part of Lisa Watkins’ Sign of the Times series, Distorted Love explores connection, resilience and what remains when everything around us changes. Materials once created for a commercial purpose are cut apart, displaced and reassembled, taking on an entirely new meaning.
Striking from a distance and intricate up close, Distorted Love is a sculptural wall work that continues to reveal something new with every look.
Reclaimed commercial signage offcuts, salvaged acrylic and resin 2026
123 × 82 cm
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